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1. #EQUALIZER AUDIO SETTINGS HOW TO#
2. #EQUALIZER AUDIO SETTINGS SOFTWARE#
3. #EQUALIZER AUDIO SETTINGS FREE#

Starting from around 150Hz, if your drum snare is sounding too thin, adding db to the frequency here can help give the drum snare more body. We’ll start at the lower end and work our way up. For this, we mainly need to focus on two elements: the impact, and the transient. The snappy drum snare helps add some life to our drum beats. However, be mindful that this may end up clashing with other percussive instruments. You can improve upon the punch by increasing it with a high shelf in the upper-mid range at 3kHz – 4kHz. Lastly, we’re on the high end where we hear our transient. If the body of your kick drum has a bit too much of a boxy sound, then it may help to lower it within the range of 300Hz – 600Hz.

Another option is to apply a medium-wide bell around 400Hz – 450Hz.Įqualizers displaying the different types of equalization you can apply to a kick drum. However, if it sounds too muddy with the mix, you may decide to cut some of it out completely, especially so it doesn’t interfere with the bass. For instance, if you want your drum to sound heavier, then you may want to consider boosting the frequency around 150Hz. With these three things in mind, depending on your mix, you might choose to bring certain elements forward, diminish them, or outright cut them.

It’s important to note, however, the three fundamental points of a kick drum’s sound. The kick drum is the heartbeat of the song, and naturally carries a lot of lower frequencies. In these examples, I’ll be using FL Studio’s stock “Fruity Parametric EQ 2” plugin: With that said, however, let’s go over some general guidelines for some different drums. Sometimes the bass becomes a more prominent element in the mix, or the vocals outshine everything, or maybe fade into the background, perhaps there’s more emphasis on the drums – all of these things are worth considering for your mix and what you’re going for. Something important to understand is every producer/mixing engineer has their own way of mixing music, and a large part of that may be due to the genre of music they’re mixing. There’s no short or really correct answer for “how to properly EQ” your mix.

#EQUALIZER AUDIO SETTINGS HOW TO#

Now, let’s get to the meat of things, where we’ll go over how to EQ a few basic percussive instruments that may be in your mix. Whether you need to adjust the overall mix, the guitar, bass, vocals, percussion, you name it, equalization is always useful for bringing out the best qualities in each. There are even websites, and services that mix your music for you, but that’s probably not why you’re here.

#EQUALIZER AUDIO SETTINGS SOFTWARE#

You may also decide you’d like to acquire a standalone piece of software to run on your desktop for equalization.

#EQUALIZER AUDIO SETTINGS FREE#

However, that is not to say that you can’t purchase, or acquire free plugins from another source to import to your DAW. Now that you know a bit more about equalization, where do you find it? Well, fortunately enough, it’s something of a standard for all DAWs (Digital Audio Workstations) to have as a stock plugin. However, we’ll focus more on the equalization side of things – although it’s important to note there are other tools at your disposal for giving tracks their own space within the mix. Of course, however, there may be times when you may want to look into panning a particular instrument that may clash with the lead vocals, which in most cases the lead vocals should be front and center. This particular situation may also be a great opportunity to look into sidechaining. When situations like this emerge, then that’s when you need to make a decision about which one should have more priority. For instance, a bass guitar and a kick drum both carry a lot of low-end frequencies, and when heard together might make the mix sound a little muddy. By adjusting the frequencies, you can help instruments of a like frequency not clash with one another. Alongside other elements, such as panning and leveling, for instance, EQ can help give the different parts of your mix their own space to shine.

It could be the sound engineer, mixing engineer, producer, or even just better left for the artist and their team to manage, depending on how much freedom they decide to give you.Įqualization plays a very important role in how things sound, which can make all the difference in how certain instruments and their parts are represented in the greater whole of the mix. Within the space of a studio, the role of “who EQ’s what” can vary. Equalization, or “EQ” for short, is the process of manipulating different frequencies to achieve an overall better-sounding mix.